Grand strategy is when the company or an organisation makes policy-level decisions about goals, alignments, ethics and relationship with publics and other forces in the environment (Botan, 2006, pp. 198). According to Botan, strategy involves planning and allocating resources and arguments to carry out organisational grand strategies at the campaign-level while making decision while tactics are the technical aspect of public relations where the specific activities and output through which strategies are implemented. (p.199).
Revamping Singapore’s Nation Museum is a suitable illustration for the difference among the above mentioned three.
In its effort, a PR campaign was implemented to generate awareness of what the refurbished and re-opened museum had to offer. Its grand strategy was to reposition the ‘dry and boring’ museum to the ‘hip and cool’. This was generally the crisis faced by many museums in Singapore. It was hence, a good move made by the National Museum to salvage their museum by leveraging on
Louvre’s Greek Masterpiece.
This PR firm used intensive media relations to reshape the public’s stance of the museum. The museum is now seen as a progressive, world-class institution and a lifestyle destination where visitors can dine and party amidst ancient history. Ongoing communications continue to drive the message that while it was Singapore’s oldest museum, it was also the one with the youngest and most innovative soul. Yet, developing a museum-going culture required consistent work. The tactics employed: interviews, previews and targeted pitching were extensively covered in lifestyle features, photo stories, personality profiles and stories about the collaboration between the two institutions.
In accordance to the previous entries posted by my team members, this campaign had illustrated the power of media relations where the PR effort achieved valuable and significant media coverage in the dailies, magazines, television and radio as well as online media. As a result, this interest group helped attain exceptional museum visitor numbers during the period of the exhibition. With the implementation of the strategic PR campaign, this was groundbreaking for the museum scene in Singapore.
In my opinion, I think Singapore Philatelic Museum should also adopt this grand strategy and change their ‘boring’ stamp appreciation to a ‘hip, cool and engaging’ stamp culture so as to sustain the museum’s life and to heighten awareness among the younger Singaporeans.
Jacquelyn Tan
C3101908